joan brossa

It is a great sound and plastic installation, formed by different everyday elements extreme of the context to represent the landscapes like the reference Joan Brossa in his prose of the 40's and 50's. In addition, different fragments of the poetry can be heard stage scene of the same age, full of alliterations.

The intention is to create a new objective prose, interpreted interpretation, which replaces the original texts, but at the same time conserving obeys the potentiality of their meaning and gives the viewer the freedom to be able to extract his own interpretation.

/ joan brossa didn't make me

2016

This hanging work, one of a long-standing series of artworks inspired by compasses, incorporates a piece of driftwood from Iceland, a glass tube, and a small rubber ball. The ends of the driftwood have been planed and painted red and green, with the red end directed northward by a magnet. At the slightest seismic activity, the ball swings and hits the tube, causing it to emit the note A.

olafur eliasson

/ seismo-sound compass

2018

jaan toomik

/ seagulls

2004

‘This work, made in collaboration with experimental musician Rainer Jancis, is really a short music video with me as the vocalist and him providing the music. Everything was filmed through the medium of water; it is actually based on a nightmare I have had, and I think it can be read on a number different of levels. It expresses those frustrating physical restrictions often experienced in dreams (the inability to run fast, etc.) and clearly represents the struggle to communicate... Perhaps, it also expresses the fear of getting old or becoming handicapped and less physically capable, while still needing to express oneself.’